The supporting cast includes many great actors, most of whom are not given that much scope, some of whom getting really small parts, but all are good. And what can one say about her dance? Nothing except it is astonishing. She is feisty yet gracious, fiery yet elegant, and she is always vivacious and graceful. The film doesn't give Dixit many opportunities, but she delivers. She is a strong woman who oozes charisma and dares to live life on her terms.
Diya's persona is actually the one that made Dixit the star she is, the star who at some point could give any hero or heroine a run for their money. oh this gorgeous smile, it is as amazing and mesmerising as ever. Her eyes speak volumes, her expressions and gestures remain refined and forceful, and her smile. Dixit is according to me one of the most beautiful women in the world, and here, her youthful, juvenile beauty is replaced by a more mature and ripe look which is equally appealing. Clearly, her absence from movies has dimmed absolutely nothing about her, neither her acting prowess nor her ever-so commanding screen presence. Aaja Nachle rests on the able shoulders of the wonderful Madhuri Dixit, who is as charming, natural and charismatic as ever. The music directors duo Salim-Sulaiman compose a nice soundtrack without which the film would. Choreography by Vaibhavi Merchant, which is obviously very important, is very well done. Director Anil Mehta is an accomplished cinematographer and he uses his skills to the max in his first directorial effort. My favourite is when different girls, most of whom know nothing about dance, audition for Diya's play. The film has many subplots, many of which I think were effectively presented, particularly the one involving the character of Mohan Sharma, Diya's past fiancée who was abandoned as she ran away. The song numbers are appropriately incorporated into the film, and in this one they are presented mostly as realistic situations in accordance with the story. It is not a great movie, but it has a great sense of fun and it flows well. What it definitely does provide is entertainment, and there it scores. Aaja Nachle is essentially a musical, nothing very serious, nothing to be taken seriously, and nothing that will provide you with new lessons in life. The problem is that people in the town dislike her, and only a good response to it can change the theatre's fate.
Her plan is to set a new play named "Laila Majnu". The story follows Diya's firm decision and later efforts to revive the Ajanta theatre in a town where she is widely infamous.
She is late, as he has already passed away, but he leaves a message for her as his last wish, to save an old theatre named Ajanta (where she used to dance) from getting ruined and turned into a shopping mall. In spite of having promised to never return to India, she hurriedly flies back when learns that her trainer is on his deathbed.
#O re piya madhuri professional
Now Diya is a professional dancer-choreographer, and a divorcée with one kid. This it the story of Diya, a trained dancer who, many years ago ran away from her town with an American man she fell in love with and moved to New York. It is such a nice film - colourful, musical, beautiful. I watched it now for the first time, and I enjoyed it thoroughly.
Upon release, Anil Mehta's Aaja Nachle, which was widely promoted as Madhuri Dixit's comeback vehicle, failed miserably.
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